Jeannie Seely: Net Worth, Age, Husband, Bio (UPDATED)

  • by

Who is Jeannie Seely?

Marilyn Jeanne Seely (born July 6, 1940) is a country music singer, songwriter, and record producer from the United States. She has several acting credits and has written a book. Seely rose to prominence with the Grammy Award-winning single “Don’t Touch Me” (1966). The song peaked at No. 2 on the Billboard country songs chart, becoming her highest-charting single as a solo artist.

Jeannie Seely: Net Worth, Age, Husband, Bio (UPDATED)
Born:Marilyn Jeanne Seely, July 06, 1940, Titusville, Pennsylvania, U.S.
Occupation:Singer, songwriter, producer, actress, author
Years active:1962–present
Home town:Townville, Pennsylvania, U.S.
Twitter:Jeannie Seely’s Twitter profile
Facebook:Jeannie Seely’s Facebook profile
IMDb:Jeannie Seely’s IMDb
Spotify:Jeannie Seely’s Spotify

Seely found success with the successful Grammy Awards “Don’t Touch Me”. Her soul-inspired vocal performance has been praised by music professionals, who have given her the nickname “Miss Country Soul”.

Seely is also known for its membership and presence on the Grand Ole Opry, where it has been active for over 50 years. Seely was born and raised in Northwestern Pennsylvania. Developing an early interest in country music, she performed regularly on local radio and television stations.

After graduating from high school, she worked at a local bank before moving to Southern California. It was on the West Coast that she rediscovered country music. Originally secretary at Imperial Records, she was soon writing songs for the company. Many of these songs would be recorded by other artists.

About

American country music singer who won a Grammy Award for her 1966 song “Don’t Touch Me.” She also released hits like the # 6 single “Can I Sleep in Your Arms. “.

Before Famous

She was born the youngest in a family of four to musician parents and appeared on WICU television when she was sixteen. After graduating, she worked in a bank and as a secretary.

Achievement

She made a cameo appearance in the 2003 film Changing Hearts with Faye Dunaway.

Family life

She was once married to songwriter Hank Cochran, but the marriage ended and she later married lawyer Gene Ward in 2010.

Associations

She wrote compositions recorded by Dottie West.

Information about Jeannie Seely

  • Pennsylvania Country Musicians
  • Challenge Records artists
  • Monument Records artists
  • Members of Grand Ole Opry
  • Mca record artists
  • Pennsylvania songwriters
  • Decca Records Artists
  • American country singers

Net Worth

Jeannie Seely is a wealthy country singer. What is Jeannie Seely’s current net worth at the age of 81?
Net worth in 2021: $100,000-$1M.

is Jeannie Seely still alive?

Jeannie is still alive and well at the age of 80. Kindly disregard rumors and hoaxes. If you have any unfortunate news that should be added to this page, please contact us using this form.

Husband

Wednesday, 30th January 2019 Jeannie Seely, country music royalty and 51-year member of the Grand Ole Opry, and her husband, Gene Ward, celebrated Gene’s recovery over the last year by renewing their wedding vows at the Renewal of Vows Ceremony aboard the Holland America Nieuw Amsterdam ship Country Music Cruise.

Daughter

Jeannie Seely has one daughter names, Booth Cochran.

Biography

“Country Soul Miss”

On September 16, 1967, Jeannie Seely achieved a significant milestone in her musical career when she was inducted into the world-famous Grand Ole Opry. The distinctive-voiced lady dubbed “Miss Country Soul” became the Opry’s first – and only – Pennsylvania native.

Today, Jeannie makes it abundantly clear that each performance on the Opry stage remains a thrill and an honor. “I consider myself extremely fortunate to be a part of the Opry tradition,” the Grammy-winning singer says, “and I owe a debt of gratitude to all the wonderful fans who have supported me over the years.”

Jeannie Seely is one of a small number of country artists who have achieved No. 1 status as a solo artist, a duet partner, and a songwriter.

Jeannie Seely was born on July 6, 1940, in Titusville, Pennsylvania, the town where the world’s first oil well was drilled in 1859. As the youngest of Leo and Irene Seely’s four children, Jeannie grew up in Titusville. The family’s two-story farmhouse still stands alongside a dirt road outside of Townville, a community of about 300 people in the Keystone State’s northwestern corner.

Jeannie’s parents had a significant influence on her musical interests. Leo Seely toiled away on the family farm and at a Titusville steel mill during the week, but found time on weekends to play banjo and call local square dances. Every Saturday morning, Irene Seely would sing with her daughter while the two baked bread together.

“I grew up in an era when neighbors gathered to assist one another with getting hay in and such,” Jeannie recalls. “Everyone seemed to play guitars and fiddles back in the country, and whenever we got together, there was always pickin’ and singin’.”

Jeannie was barely tall enough to reach the dial on her family’s large Philco console radio when she tuned in to station WSM 650, the Grand Ole Opry.

She began singing for a Saturday morning radio show on Meadville’s WMGW station at the age of 11. “I recall standing on a stack of wooden soda cases because I couldn’t reach the unadjustable microphones,” she laughs. Jeannie began performing on television station WICU in Erie at the age of sixteen.

Jeannie recalls numerous Saturday nights as a teenager sitting in her family’s car, eating popcorn and listening to the Grand Ole Opry while her parents played cards at friends’ houses.

“I also recall anticipating attending country music concerts at a venue near Franklin called Hillbilly Park,” Jeannie recalls. “They would perform two shows, one in the afternoon and one in the evening. Mother would bake a chicken and prepare a picnic basket, and we would spend the entire day and evening there. I was always standing directly in front of the front row, staring up at the stage.”

Jeannie saw performers such as Bill Monroe and Ralph Stanley at Hillbilly Park, as well as Josh Graves, who would later appear on her Life’s Highway CD.

“I still have the 8 by 10 photographs I purchased and had autographed there by celebrities such as Jean Shepard, Little Jimmy Dickens, Wilma Lee, and Stoney Cooper,” she proudly notes. “I consider myself extremely fortunate to have later become friends with these Opry legends.”

While attending Townville High School as a cheerleader, majorette, and honor student, Jeannie competed in local amateur contests and began performing at weekend dances throughout northwest Pennsylvania.

“At the time, a lot of people mocked me for the singing country,” she admits today. “In those days, referring to someone as ‘country’ was actually a derogatory term,” Jeannie recalls how the residents of tiny Townville were skeptical that anyone, let alone a female, could earn a living through singing or songwriting. “Some people didn’t believe it was appropriate for a girl to sing with a band at a dance,” she recalls.

Jeannie worked at the Titusville Trust Company for three years following her high school graduation in 1958. She began her career at the bank as a stenographer and was later promoted to a secretarial position for the bank’s auditor.

Jeannie continued her education during this time period by attending night classes at the American Institute of Banking in Oil City. “Those courses in business finance and law served me well later in my music career,” Jeannie explains. Jeannie has since been named an honorary lifetime member of both the local and national American Institute of Banking organizations for her efforts in promoting the organization’s name and spirit.

According to Jeannie, it was the weather conditions on a country back road one Sunday morning that convinced her to relocate to California. “It was Easter, and my car became trapped in a snowbank,” she chuckles. “I had to walk the entire way home in my new dress to enlist my father’s assistance. I immediately decided that I was ready to make a change.”

Jeannie packed everything she could into her car at the age of 21, shipped the rest to “General Delivery, Los Angeles,” and drove west. She began her career at a Beverly Hills bank but left after a year to take a secretarial position at Liberty and Imperial Records in Hollywood for half the pay.

With her foot in the door of the music business, she began writing songs for Four Star Music and was a regular act on the television series “Hollywood Jamboree” alongside an unknown Glen Campbell. Irma Thomas, a rhythm and blues artist, recorded a Jeannie composition titled “Anyone Who Knows What Love Is” and it became a national pop hit.

Jeannie’s songwriting earned her a deal with Challenge Records. A couple of regional hits and a West Coast tour followed, but she failed to garner national attention. Hank Cochran, a young songwriter visiting California, was impressed by Jeannie’s talent and suggested she relocate to Nashville. Jeannie, on the other hand, did not believe she was prepared.

Jeannie finally took Hank Cochran’s advice and moved to Nashville in the fall of 1965, thanks to the encouragement of singer Dottie West, who recorded one of her songs.

“When I first arrived in town, all I had was $50 and a Ford Falcon,” she recalls. “Within a month, Porter Wagoner hired me to take over as the female singer for his roadshow and syndicated television series in place of Norma Jean.”

After being rejected by every record label in town, Jeannie received the break she needed when Monument Records offered her a recording contract. On March 12, 1966, she entered the studio and recorded a Hank Cochran ballad titled “Don’t Touch Me.”

Within a few weeks, the song reached the top of the country music charts, where it remained for more than five months. Although it spent three weeks at No. 2 on Billboard, the record reached No. 1 on all other major charts, including Cashbox and Record World. Additionally, it charted as a crossover hit on the national pop charts.

Today, “Don’t Touch Me” is considered a country music standard. Jeannie’s recording of the song is ranked No. 97 in David Cantwell and Bill Friskics-book Warren’s Heartaches By the Number: Country Music’s 500 Greatest Singles. The Vanderbilt University Press and the Country Music Foundation Press published the book in 2003.

“Don’t Touch Me” is also included in Ace Collins’s The Stories Behind Country Music’s All-Time Greatest 100 Songs. According to the author, “‘Don’t Touch Me’ by Cochran has withstood the test of time like few other works. This composition is hauntingly beautiful, poetry set to meter, and deserves special praise for the exquisite way in which it tells its story of love, doubt, and commitment.” The book details Buck Owens’ fervent desire for the song that Jeannie eventually recorded and made a hit.

Don Gibson, Tammy Wynette, George Jones, Lorrie Morgan, Ray Price, Lynn Anderson, Eddy Arnold, Barbara Mandrell, Roy Clark, Jack Greene, and Dottie West have all recorded country versions of “Don’t Touch Me,” but none have charted as singles.

The song’s popularity transcends musical genres; Etta James recorded a rhythm and blues version, Carolyn Hester a folk version, Bettye Swann a soul version, and Eleni Mandell a pop version. Nicky Thomas even recorded a reggae version.

Jeannie was invited to make her first guest appearance on the Grand Ole Opry in June 1966. That same year, she was named “Most Promising New Artist” by every major trade publication, including Billboard, Cashbox, and Record World, as well as by-polls of country music fans and radio DJs across the country.

Jeannie was presented with the 1966 Grammy Award for “Best Country Vocal Performance by a Female” by the National Academy of Recording Arts & Sciences on March 2, 1967. Jeannie Seely became only the third female country artist to win the coveted Grammy, defeating friends and fellow nominees Loretta Lynn (“Don’t Come Home A Drinkin'”), Dottie West (“Would You Hold It Against Me”), Connie Smith (“Ain’t Had No Loving”), and Jan Howard (“Evil On Your Mind”). Chet Atkins presented her with her award.

Jeannie found herself traveling from coast to coast for concert appearances following the success of her breakthrough single. The new demands forced her to leave Porter Wagoner’s show – and Jeannie jokes today that she was replaced by Dolly Parton because Dolly’s ‘hits’ were more popular.

Jeannie gained new opportunities through numerous concert and television appearances with the legendary Ernest Tubb. The legendary Tubb wrote in the liner notes to one of Jeannie’s early albums, “Each ballad she sings is imbued with her heart and soul. Whatever song Jeannie sings, whether new or old, it becomes ‘Jeannie’s song’.”

Jeannie joined the Grand Ole Opry in September 1967, fulfilling a lifelong dream. She recalls her Opry induction, which was attended by her Pennsylvania-based parents, as “a very emotional night.” “I began to cry,” she recalls, “and then I encored, which made matters worse.”

Often referred to as the “Mother Church of Country Music,” Jeannie joined the Opry at the Ryman Auditorium in downtown Nashville. Although it was hot in the summer and drafty in the winter, Jeannie believes the Ryman possessed certain magic. She fondly recalls sharing a cramped dressing room, which was actually a ladies restroom, with fellow performers such as Barbara Mandrell, who today credits Jeannie as a major influence.

The Grand Ole Opry relocated to the new 4,400-seat Opry House on the grounds of the Opryland theme park on March 16, 1974, after 31 years at the Ryman. President Richard Nixon addressed the audience during the much-publicized grand opening show, which was broadcast on over 1,300 radio stations worldwide “Some girls have good looks but are unable to sing. Others have the ability to sing but lack physical appearance. Jeannie Seely has both of them.” This quote was later reprinted in newspapers throughout the country.

Throughout her career, Jeannie Seely has been known for her independence and infectious sense of humor. She is widely credited with transforming the image of female country performers.

Jeannie is credited with breaking the “calico curtain” by being the first woman to perform on the Grand Ole Opry stage wearing a mini-skirt. “I honestly had no idea at the time, but it caused quite a stir,” she laughs. “The manager of the Opry even summoned me to his office.”

Mary Bufwack and Robert Oermann wrote in their book Finding Her Voice: The Saga of Women in Country Music, “Jeannie’s candid conversation, arresting intelligence, free-spirited way of life, and deeply moving vocals have long distinguished her from the majority of female country stars. Women were still expected to portray the submissive country sweetheart when she arrived in Nashville in 1965. From the moment she entered the Opry in her miniskirt, Jeannie blazed a nonconformist trail….”

A string of chart-topping singles in the late 1960s and early 1970s cemented Jeannie’s reputation as a country torch singer and earned her the moniker “Miss Country Soul,” a moniker she retains to this day. Marty Robbins, a member of the Country Music Hall of Fame, once stated, “Jeannie Seely is one of the great stylists of our time.”

When she was at home, Jeannie frequently appeared as a guest on television shows such as “Hee Haw” and “That Nashville Music.” Jeannie was a featured guest on “Glen Campbell’s Goodtime Hour” on March 22, 1970.

The blonde, blue-eyed singer collaborated with renowned producers such as Fred Foster and Owen Bradley on more than a dozen albums and over two dozen singles for the Monument, Decca, MCA, and Columbia labels.

From 1966 to 1978, Jeannie charted singles on Billboard’s national country music charts. “It’s Only Love,” “A Wanderin’ Man,” “I’ll Love You More,” “He Can Be Mine,” “Welcome Home To Nothing,” “Little Things,” “Farm in Pennsylvania,” and “When It’s Over” were among her over two dozen chart-topping singles.

Jeannie transformed the hobo lament “Can I Sleep In Your Barn Tonight Mister?” into the chart-topping single “Can I Sleep In Your Arms?” in 1973. The following year, she transformed the Appalachian ballad “Come All You Fair And Tender Ladies” into another chart-topping single, “Lucky Ladies.”

Jeannie worked as a disc jockey on her own Armed Forces Network show for two years and spent several months on military tours throughout Europe and Asia. After returning from an overseas tour, Jeannie observed during an Opry performance the absence of the United States flag, a patriotic symbol she was accustomed to seeing. Since then, an American flag has been displayed on the Opry stage.

“Wish I Didn’t Have to Miss You,” a 1969 duet with fellow Opry member Jack Greene, reached No. 1 on the charts and launched one of the most successful duos and roadshows in country music history.

Jack Greene and Jeannie Seely toured together for over a decade, performing at venues ranging from New York’s Madison Square Garden to London’s Wembley Arena.

The duo revolutionized the “package show” format and was credited with breaking down barriers and introducing country music to a global audience. They were named Goodwill Ambassadors to the annual United Nations Concert following a special invitation from the White House.

Jeannie’s compositions have been recorded by a long list of artists, including Dottie West, Norma Jean, Tex Williams, Lorrie Morgan, Jack Greene, Connie Smith, and Doyle Lawson.

Faron Young propelled “Leavin’ And Sayin’ Goodbye” to the top of the charts in 1972, earning Jeannie a BMI Songwriters Award.

Along with Faron Young, Merle Haggard, Ray Price, Willie Nelson, Little Jimmy Dickens, and Ernest Tubb have all recorded Jeannie’s songs. One of Jeannie’s songs was actually used as the basis for a Hallmark greeting card.

Jeannie was married to Hank Cochran for several years. Hank Cochran wrote songs such as “Make The World Go Away”, “She’s Got You”, “I Fall To Pieces”, “The Chair”, and “Ocean Front Property”. The marriage – Jeannie’s first but Hank’s fourth – eventually ended in divorce.

In 1977, Jeannie Seely’s career came dangerously close to an end when she was involved in a near-fatal automobile accident that left her with multiple serious injuries. “I know that sounds corny, but it’s true that your perspective shifts after a close call,” she reflects. “What you previously took for granted, you come to value more.” Jeannie was able to recover and get back on her feet with the assistance and support of her best friend Dottie West.

Ironically, Dottie died in 1991 as a result of injuries sustained in a car accident on her way to the Opry. “I still think about Dottie constantly and miss her tremendously,” Jeannie says. In 1995, she served as a consultant for the CBS television film Big Dreams and Broken Hearts: The Dottie West Story, which was based on Dottie’s life. Cathy Worthington played Jeannie in the film.

Jeannie opened for Willie Nelson’s tour dates across the country in the early 1980s. She also appeared in Willie’s successful Honeysuckle Rose film and sang on the soundtrack, earning her a platinum album for her contribution.

Jeannie was the first female artist to host half-hour segments of the Grand Ole Opry regularly. Those hosting responsibilities began in 1985 when she was called in as a last-minute replacement for Del Reeves, the scheduled host, who was caught in a rare snowstorm in Nashville.

Jeannie starred in several major stage productions during the late 1980s. In the 1986 country musical Takin’ It Home, she played Jean Shepard’s daughter and Lorrie Morgan’s mother. In 1988, she played “Miss Mona” in a sold-out run of The Best Little Whorehouse in Texas, and the following year, she starred in Everybody Loves Opal in a non-musical role.

Jeannie published her own book, Pieces of a Puzzled Mind, in 1988. The book contains a collection of Jeannie’s one-of-a-kind witticisms. Known in Nashville as “Seely-isms,” Jeannie notes that many of the sayings originated as song titles or opening lines.

“Country music has fulfilled so many of my dreams,” Jeannie writes in the book. “I only wish someone had warned me about the nightmares.” “You don’t have to kiss anyone’s a— in this world, but sometimes it’s best to bend a little bit and make ’em believe you are.” is one of the most popular quotes from the book.

Jeannie portrayed the mother of Confederate Railroad’s lead singer Danny Shirley in the band’s 1993 chart-topping music video for the song “Trashy Women.” She was also featured in a video shot at Dollywood for fellow Opry member Brad Paisley’s song “Wrapped Around,” for which Jeannie served as his date to the 2000 CMA Awards Show. Ironically, the video was shown during Brad’s 2001 CMA Awards performance – and Jeannie was visible in the video clip.

Jeannie appeared on numerous shows throughout the 1980s and 1990s, including “Nashville Now,” “Crook and Chase,” “Music City Tonight,” “Grand Ole Opry Live,” “You Can Be A Star,” “Family Feud,” and “Prime Time Country.” She hosted “Opry Backstage” regularly, interviewing everyone from up-and-coming acts to superstars like Garth Brooks.

Lorrie Morgan recorded “I’ve Enjoyed As Much Of This As I Can Stand,” a song co-written by Jeannie, for her 1997 album “Shakin’ Things Up.” Lorrie has credited Jeannie with having a significant impact on her career and frequently refers to her Opry cohort as her “second mother.”

Lorrie’s father, the late George Morgan, was an Opry star and Jeannie’s close friend. “I admire Lorrie not only for her musical ability but also for inheriting her father’s wonderful sense of humor,” Jeannie observes. “I do not take for granted the privilege of knowing people like George Morgan, working with him, and then becoming friends with and working with his daughter. That is quite remarkable.” Together, Jeannie and Lorrie performed George’s chart-topping hit “Candy Kisses” for a CBS Opry anniversary special.

According to Jeannie, the last few years have been her busiest. According to Nashville music critic Robert K. Oermann’s Finding Her Voice: Women In Country Music, “Jeannie Seely remains one of the country’s most completely modern female personalities with her chin-out, tough/tender, heart-of-gold demeanor.”

Jeannie has performed on several cruise ships, including week-long Grand Ole Opry cruises, and for several summers at Dollywood. Additionally, she was a part of the “Grand Ladies of the Grand Ole Opry” on a successful overseas tour. Jeannie toured extensively throughout Ireland in 2008 and 2009.

Jeannie continues to enjoy acting and appeared in Atlantic City for three months in 2000 as Louise Seger during a successful run of the Always, Patsy Cline musical.

In late 2001, Jeannie co-directed the heartwarming motion picture Changing Hearts with friends Jan Howard and Rita Coolidge. Faye Dunaway, Lauren Holly, Tom Skerritt, and Ian Somerhalder star in the film, which is now available on DVD and VHS. Jeannie plays Mrs. Shelby, a do-good Women’s Baptist League hospital volunteer. The film’s proceeds benefit non-profit organizations that promote cancer research, education, and support.

Jeannie and fellow country singer Helen Cornelius co-starred in successful runs of the musical Count It Be Love from 2004 to 2007, including a performance at Nashville’s historic Ryman Auditorium. Jeannie was featured in a February 2005 performance of The Vagina Monologues in Nashville alongside fellow entertainers Pam Tillis and Kathy Mattea.

Among Jeannie’s numerous honors and accolades is her 2000 induction into the North America Country Music Hall of Fame. In 2003, she was inducted into the Mammoth Spring, Arkansas-based George D. Hay Music Hall of Fame. Jeannie was also honored by Bluebird Country News with the 2003 Legend Award.

Jeannie received the R.O.P.E. (Reunion of Professional Entertainers) Songwriter of the Year Award in 2006. She was named R.O.P.E.’s Entertainer of the Year in 2007.

Jeannie was ranked No. 11 among the “Most Influential Females in Country Music History” in a two-month-long Internet poll conducted by www.TakinTheCountryBack.com.

Jeannie received the prestigious Colonel Aide-de-Camp Award from Tennessee Governor Phil Bredesen in 2009. The award confers on citizens the distinction of being inducted into the Honorable Order of Tennessee Colonels for their meritorious public service.

Additionally, in 2009, Rik Paleri’s interview with Jeannie at the Grand Ole Opry for Rik’s television show “Songwriters Notebook” was permanently archived at the Library of Congress in Washington, DC.

Jeannie Seely’s Greatest Hits On Monument, which was reissued on CD, continues to garner critical acclaim, including a review in the All Music Guide To Country.

In recent years, Jeannie has released a 23-song anthology CD titled Personal, a collection of traditional holiday songs titled Number One Christmas, and a collection of standards, fan favorites, and duets titled Been There, Sung That.

Jeannie co-wrote Clinch Mountain Sweethearts with fellow Opry member Ralph Stanley in 2001, which earned an International Bluegrass Music Association Award for “Recorded Event of the Year” and a Grammy nomination for “Bluegrass Album of the Year.”

Apart from her own recordings, Jeannie’s vocals have appeared on over 100 compilation albums and CDs. Her vocals on the Janis Joplin hit “Piece Of My Heart” are featured on the April 2002 release Bluegrass Goes To Town: Pop Songs Bluegrass Style.

Jeannie released her own acoustic and bluegrass project, Life’s Highway, on OMS Records in the fall of 2003. Josh Graves, Glen Duncan, Steve Wariner, Jesse McReynolds, and Buck White all contribute to the album, as do Charlie Louvin, the Osborne Brothers, and the Whites.

Country Weekly magazine gave the CD a favorable review, writing, “Life’s Highway is one of the year’s most pleasant surprises – a thoughtful, inventive acoustic winner that serves as a much-needed reminder of how Jeannie earned her spot as one of the Grand Ole Opry’s friendliest faces. Jeannie merely owns these thirteen tracks—

Jeannie Seely’s recording career has now spanned six decades with the release of a new CD titled Vintage Country in early 2011. Vintage Country is available on Jeannie’s website and at select retail and online outlets.

“I wanted to name this project Vintage Country because the word ‘Vintage’ means ‘old, but treasured,'” Jeannie chuckles as she discusses her new endeavor and reflects on her lengthy career. Jeannie selected the songs for the CD collection herself and, except one, they are all traditional country songs that have been recorded previously.

“When I recorded this CD, my intention was not to ‘cover’ any of these incredible performances by some of the most talented artists of our time,” Jeannie explains, “but rather to present these wonderful old songs in the way I hear and feel them.” It’s such a pleasure to hear them again, and I hope they bring back some old memories for others as well.”

Among the classic songs are Bobbie Gentry’s 1960 hit “Ode To Billie Joe” and Billie Jo Spears’ 1970 hit “Blanket On The Ground.” “Billie Jo and I shared so many memorable moments’ during our heyday that we had a blast reminiscing when we recently toured Ireland together,” Jeannie explains. “Since then, I haven’t stopped humming ‘Blanket.'”

Jeannie explains that “Funny How Time Slips Away” came about when she was asked to perform a tribute to Billy Walker on the Tuesday Night Opry in the aftermath of his May 2006 fatal auto accident. Along with Billy and Bettie Walker, Jeannie dedicates the song to Charlie Lily and Danny Patton, both of whom perished in the accident.

“I can never sing enough Willie Nelson songs,” observes Jeannie, who has collaborated with Willie on numerous previous projects and used his song “Little Things” as the title track for her fourth Monument album. Along with “Funny How Time Slips Away,” Jeannie recorded Willie’s “What A Way To Live,” a hit for Johnny Bush that Jeannie frequently performs on the Opry.

Tim Atwood and Danny Davis collaborated on duet versions of “Let It Be Me” and “What’s Going On In Your World.” Both vocalists have also accomplished musicians who perform on the Grand Ole Opry as part of Jeannie’s band.

Although “Darktown Strutters’ Ball” is a popular and jazz standard, Jeannie chose to do a country rendition, and the resulting western swing tune serves as the CD’s opening track. “When I lived in Pennsylvania, I recall my mother singing and dancing to ‘Darktown Strutters’ Ball,'” Jeannie recalls.

Jeannie has lived close to the Grand Ole Opry for the last two decades, in a quaint and comfortable home along the Cumberland River that she renovated and decorated herself. Jeannie suffered a significant setback in May 2010 when she lost her home, car, and personal belongings in the devastation caused by the Nashville flood. Jeannie chose to rebuild her home and returned shortly after the Grand Ole Opry returned to the Opry House, her second home, which was also damaged.

Jeannie married Nashville attorney Gene Ward on November 20, 2010. They live with Cheyenne, a Shih Tzu dog who joined Jeannie’s family in 2002.

Jeannie performs at benefit shows for a variety of charities and causes regularly. She co-hosted SOURCE’s annual awards program, a nonprofit organization dedicated to uniting female executives and professionals in all facets of the Nashville music industry.

Jeannie has also served on the boards of directors of AFTRA and the Donelson-Hermitage Chamber of Commerce.

Jeannie is proud to have served as a spokesperson for the Humane Society for many years, both through public service announcements and as an HSUS “Special Friend” supporting their animal protection programs. Jeannie is also an active member of several other organizations and causes, including the Opry Trust Fund (which provides financial assistance to deserving members of the country music industry) and R.O.P.E. (Reunion Of Professional Entertainers).

When she is not booked for out-of-town concerts, Jeannie appears weekly on the Grand Ole Opry’s shows. She frequently hosts the Ernest Tubb Midnite Jamboree, appears on RFD television shows and specials, and has been featured in television and DVD tapings of the Family Reunion.

Jeannie hopes for a harmonious coexistence of the old and the new at the Grand Ole Opry in the future.
“I enjoy adding new talent to the Opry, but I don’t want it to become just another concert venue,” she states.
“I enjoy seeing new artists, but I also value tradition and its uniqueness.
And the music and everything else should and will change.
It has always been the case.”

“Hopefully, I will see a future doing something similar to what I have done in the past,” Jeannie explains.
“I want to continue making personal appearances and performing shows, which I’ve been so fortunate to be able to do in my life.
I wish to be wherever they require me to be.
There are numerous highways in life that I wish to travel.
I am not yet finished.”

In the album notes for Vintage Country, Jeannie writes, “I want to extend a heartfelt ‘thank you to everyone who has supported me for such a long period of time.
To those of you who are joining us for the first time, I hope the ride isn’t over yet so welcome aboard and hang on!”